Lacquer is a fast-drying, hard, high-gloss surface coating. These varnishes are made by dissolving a cellulose derivative and other modifying materials in a solvent and adding pigment if desired. The Chinese discovered thousands of years ago that the sap of a sumac variety tree, Rhus verniciflua, had unusual qualities. It can be applied in successive layers to wooden, bamboo, and metal objects, such as dishes and boxes, and each layer can be hardened by exposure to moisture. The resulting surface is hard and impermeable and can be polished, colored, or delicately carved to reveal the successive layers beneath.
Archaeological finds have confirmed the use of sophisticated lacquer objects in China dating back to 772 BC and the Warring States period (481-221 BC). In 1976 archaeologists recovered some samples of red lacquer around Anyang near Yinxu in Henan province, the last Shang dynasty capital city. Excavations uncovered a burial pit near the main royal cemetery. The tomb has been dated to around BC 1200 and identified, from ritual bronze inscriptions, to be that of Lady Fu Hao, one of the wives of the Shang King Wu Ding. Her relatively small tomb is one of the best-preserved Shang Dynasty royal tombs and the only one not to have been looted before excavation. Inside the pit a wooden chamber contained a lacquered wooden coffin that has since completely rotted away.Other excavations of royal tombs showed that the chambers contained painted lacquer coffins, sometimes inlaid with ivory and turquoise.
Chinese lacquered coffin, Hubei Museum, GNU Free License The image on the right shows a Chinese lacquered coffin from the ancient State of Chu, dated to the 4th century BC. This coffin is actually the innermost of three nested coffins. The sides and top are decorated with seventy-two interlaced serpentine dragons and mythical birds. (From the Hubei Provincial Museum, image provided under terms of the GNU Free Documentation License, published by the Free Software Foundation).
The National Palace Museum of Taipei
The National Palace Museum of Taipei dates some lacquerware in its collection to over 3,000 years old. A wood-based red lacquer bowl dated 6,000 - 7,000 years ago is displayed in the Provincial Museum of Zhejiang.
This technique of lacquering, adopted in Korea and then Japan by the 6th century AD, provides one of the most highly valued commodities of the orient. In later years, an notably duirng the Ming Dynasty (early in the 17th century) many exquisite objects, such as lacquerware boxes, became treasured trade objects.
The earliest-known pieces of East Asian lacquer in the West (Innsbruck, Schloss Ambras) are five small Chinese bowls and a Japanese cabinet in the collections of Archduke Ferdinand of Austria, who reigned 1564–1595. The word lacquer is rooted in the term lac from a beetle species, Coccus lacca. The insect secreted the natural substance Lac which is processed for further use in lacquers (such as shellac). The lacquer art form was copied by artisans in the West, and by the 18th century high quality art was produced all over Europe, and Russia.
Marque lacquerware of the Americas
Uruapan in Michoacán is considered the cradle of Central American lacquerware known as maque. Together with other centers in Chiapas and Guerrero, Maque art flourished long before European contact. The lacquerware similar to Chinese style in Michoacán probably dates from between the 8th and 12th centuries, when a wave of cultural innovations appeared in Michoacán, along with metallurgy and a new ceramic style.
Some accounts suggest an earlier introduction by the Buddhist monk, Hui Sheng, who in 458 AD led a group of monks on a voyage to the land of cactus. Hui Shen returned to China 41 years later, and reported his findings to the Xiao kingdom of the Qi state. Other speculations build a case for the Chinese reaching the west coast of Mexico in the 7th century AD, but there appear to be no scholarly consensus on China's contact with Pre-Columbian civilizations.
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